miuccia prada carsen olsler | Carsten Höller miuccia prada carsen olsler “It's naturally falling into place, given my history of working with Prada,” said .
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0 · Miuccia's Artists
1 · Miuccia Prada
2 · First Look: Carsten Höller’s and Prada’s The Double Club in L.A.
3 · Creative Hedonism: How Prada’s Double Club Took Over Oscar
4 · Carsten Höller’s slides: A fun way to experience museums
5 · Carsten Höller and Prada hosted a sparkly sideshow on LA
6 · Carsten Höller Paintings, Bio, Ideas
7 · Carsten Höller
8 · CARSTEN HÖLLER 'Upside Down Mushroom Room' inside 'Atlas'
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Watching from the bar was Carsten Höller, the contemporary artist recruited by . There’s no better weekend to throw a party in Los Angeles than Oscars .
Carsten Höller – Slide at Prada, The Milan headquarters, Italy, Miuccia Prada’s . The 'Atlas' project born from a dialogue between Miuccia Prada and Germano .In 2000 he installed a slide in the Milan office of designer Miuccia Prada, and in 2006 he .
“It's naturally falling into place, given my history of working with Prada,” said .His slides include one made for the office of Miuccia Prada in Milan (2000) and the first slides .
It’s a playful, quasi-architectural work by Carsten Holler, one of the artists the .
From left: The artists John Baldessari, Carsten Holler, Nathalie Djurberg and . Watching from the bar was Carsten Höller, the contemporary artist recruited by Miuccia Prada to mastermind his third episode of Prada’s progressive experiment in creative hedonism. “Look at all.
Miuccia's Artists
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There’s no better weekend to throw a party in Los Angeles than Oscars weekend, and Miuccia Prada knows this well. That’s why she chose last Friday to host the latest edition of the Double Club, her experimental art-fashion-music festival in collaboration with artist Carsten Höller, at a warehouse in LA’s Arts District.In 2000 he produced a slide that connected fashion designer Miuccia Prada's office with the ground floor of Prada's Milan headquarters. At this time, he also produced one of his fungi sculptures; a massive whimsical piece that reached up to the ceiling for "Upside Down Mushroom Room" at the Fondazione Prada (also in Milan).
Carsten Höller – Slide at Prada, The Milan headquarters, Italy, Miuccia Prada’s office with entrance to slide. Following Höller’s first slide, designed for the Berlin Biennale in 1998, he created another work for the Fondazione Prada in Milan in 2000. The 'Atlas' project born from a dialogue between Miuccia Prada and Germano Celant is housed within the six exhibition levels of the Tower. It brings together works from the Prada Collection in a succession of spaces, one of which houses Carsten Höller’s ‘Upside Down Mushroom Room’.In 2000 he installed a slide in the Milan office of designer Miuccia Prada, and in 2006 he constructed Test Site, a set of five slides in the Turbine Hall at Tate Modern, London. Höller is interested in the structures’ imposition of a temporary loss of control on participants, describing the resultant emotional state as “somewhere between .
“It's naturally falling into place, given my history of working with Prada,” said Höller, whose environmental art has made its way to Miuccia Prada's office, which contains one of his metal slides.His slides include one made for the office of Miuccia Prada in Milan (2000) and the first slides made for the Berlin Biennale in 1998. [11] Höller's artistic practice reflects the interaction between work and public in various ways, sometimes chemically analyzing the nature of human emotions.
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It’s a playful, quasi-architectural work by Carsten Holler, one of the artists the foundation has sponsored. In a white-collared shirt, buttoned to the neck, black skirt and heavy-heeled shoes,. From left: The artists John Baldessari, Carsten Holler, Nathalie Djurberg and Thomas Demand; Prada’s Patrizio Bertelli and Miuccia Prada; the curator Germano Celant; the artist Francesco. Watching from the bar was Carsten Höller, the contemporary artist recruited by Miuccia Prada to mastermind his third episode of Prada’s progressive experiment in creative hedonism. “Look at all. There’s no better weekend to throw a party in Los Angeles than Oscars weekend, and Miuccia Prada knows this well. That’s why she chose last Friday to host the latest edition of the Double Club, her experimental art-fashion-music festival in collaboration with artist Carsten Höller, at a warehouse in LA’s Arts District.
In 2000 he produced a slide that connected fashion designer Miuccia Prada's office with the ground floor of Prada's Milan headquarters. At this time, he also produced one of his fungi sculptures; a massive whimsical piece that reached up to the ceiling for "Upside Down Mushroom Room" at the Fondazione Prada (also in Milan). Carsten Höller – Slide at Prada, The Milan headquarters, Italy, Miuccia Prada’s office with entrance to slide. Following Höller’s first slide, designed for the Berlin Biennale in 1998, he created another work for the Fondazione Prada in Milan in 2000.
The 'Atlas' project born from a dialogue between Miuccia Prada and Germano Celant is housed within the six exhibition levels of the Tower. It brings together works from the Prada Collection in a succession of spaces, one of which houses Carsten Höller’s ‘Upside Down Mushroom Room’.In 2000 he installed a slide in the Milan office of designer Miuccia Prada, and in 2006 he constructed Test Site, a set of five slides in the Turbine Hall at Tate Modern, London. Höller is interested in the structures’ imposition of a temporary loss of control on participants, describing the resultant emotional state as “somewhere between . “It's naturally falling into place, given my history of working with Prada,” said Höller, whose environmental art has made its way to Miuccia Prada's office, which contains one of his metal slides.
His slides include one made for the office of Miuccia Prada in Milan (2000) and the first slides made for the Berlin Biennale in 1998. [11] Höller's artistic practice reflects the interaction between work and public in various ways, sometimes chemically analyzing the nature of human emotions. It’s a playful, quasi-architectural work by Carsten Holler, one of the artists the foundation has sponsored. In a white-collared shirt, buttoned to the neck, black skirt and heavy-heeled shoes,.
Miuccia Prada
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miuccia prada carsen olsler|Carsten Höller